C.S Lewis is most widely known today for his children’s tales, The Chronicles of Narnia. However, David C. Downing notes in Into the Wardrobe: C.S. Lewis and the Narnia Chronicles that, “some of his contemporaries were shocked when the eminent C.S. Lewis started writing children’s stories.” (XIV) Lewis had written some fiction previously, a sci-fi trilogy, The Great Divorce, and some poetry, as well as some notable literary work, but not fiction for children. So when the Chronicles began to be written, what emerged was not merely fairy tales for children, but a magnificent composition of classical, medieval, and modern ideas filtered through the creative theological imagination of C.S. Lewis. |
Into the Wardrobe explores the background of Narnia in the life and thought of C.S. Lewis. As should any book of this nature, Dr. Downing begins in Chapter 1 with a biography of Lewis. In Chapter 2 we are introduced to the writing of the Chronicles in the order they were composed. Here Dr. Downing offers a summary of each book and some explanations of their origins, including the lost Lefay fragment that was a potential beginning of The Magician’s Nephew.
The last five chapters examine the content of the series categorically. Chapter 3 takes on the “spiritual vision” of the Chronicles. The spirituality of the series is seen through the perspective of Aslan, who is envisioned as “a Numinous Being,” “Supremely Good,” “Creator,” “Co-Sufferer,” “Redeemer,” “Comfort and Guide” and “Judge.” Next, Dr. Downing examines is the morality taught throughout the series through Edmund’s failures, technology, and the virtues of honesty, empathy, privacy, and trust.
Chapter 5 looks into the classical and medieval elements found in the Chronicles including hierarchy, chivalry, magic, and astrology. For those who have wondered where Lewis might have gotten the names for his characters, this is described in detail in Chapter 6. The final chapter deals with the literary legacy of the series and grapples with a few of the criticisms that have been made of them and Lewis himself.
Into the Wardrobe was almost consistently a stimulating read. My favorite chapters were the one on the spiritual roles of Aslan and the one about classical and medieval elements. For the former, as with most Narnia fans I suspect, I can never get enough of informed Aslan discussion. For the latter, the scholarly work of Lewis in classical and medieval studies is usually only a footnote in what I’ve read. Dr. Downing shows that this area of Lewis’ life and study is just as important as the rest and played an influential role in the formation of the Chronicles. The only chapter I didn’t care much for was the one on Narnian names. Perhaps due to the subject at hand, at a couple instances I felt like I was reading a genealogy in the book of Numbers
David Downing offers us a thought-provoking behind-the-scenes look at what went into the writing of The Chronicles of Narnia. His knowledge of the subject matter and accessible writing style make this book an educational and enjoyable read at the same time.